
Byung Hoon Choi
beyond the image 014-16, 2014
Inscribed 'Choi, Byung Hoon,' dated '2014,' and inscribed in Korean (at marble underside)
White marble and natural stone
48 by 50 by 50 cm (18⅞ by 19¾ by 19¾ in.)
69684
© 2023 Byung Hoon Choi
Executed in 2014. Korean sculptor, artist and furniture designer Byung Hoon Choi focuses on bringing together opposing forms and textures into his compositions. Known for bringing Korean influences into modern...
Executed in 2014.
Korean sculptor, artist and furniture designer Byung Hoon Choi focuses on bringing together opposing forms and textures into his compositions. Known for bringing Korean influences into modern furniture design, Choi creates tranquil works of art that are executed as functional domestic objects. The juxtaposition of materials and textures visible in the artist’s works are meant to parallel the paradox of Zen Taoism: “the harmony of unifying differences.” [1] Through his Taoist practice, he is able to bring a meticulous balance to each individual creation.
[2] N. Azzarello, 'Byung Hoon Choi Interview on ‘Water Meditation’' in designboom | architecture & design magazine, November 11, 2016, https://www.designboom.com/design/byung-hoon-choi-interview-friedman-benda-water-meditation-11-11-2016/
Korean sculptor, artist and furniture designer Byung Hoon Choi focuses on bringing together opposing forms and textures into his compositions. Known for bringing Korean influences into modern furniture design, Choi creates tranquil works of art that are executed as functional domestic objects. The juxtaposition of materials and textures visible in the artist’s works are meant to parallel the paradox of Zen Taoism: “the harmony of unifying differences.” [1] Through his Taoist practice, he is able to bring a meticulous balance to each individual creation.
In beyond the image 014-16, Choi unites smooth white marble with a seemingly untouched natural stone. Together, they offer a place of respite. When speaking about his principles and philosophies, the artist stated, “For some decades now, I have combined the natural world with the meditative state — at the same time synthesizing contemporary aesthetics and traditional design elements constructed from the Korean history of art and culture.” [2]
[2] N. Azzarello, 'Byung Hoon Choi Interview on ‘Water Meditation’' in designboom | architecture & design magazine, November 11, 2016, https://www.designboom.com/design/byung-hoon-choi-interview-friedman-benda-water-meditation-11-11-2016/