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Artworks

François-Xavier Lalanne, Poisson Paysage V, 2007
François-Xavier Lalanne, Poisson Paysage V, 2007
François-Xavier Lalanne, Poisson Paysage V, 2007 A related example installed at Chateau De Versailles, Les Lalanne à Trianon, 2021

François-Xavier Lalanne

Poisson Paysage V, 2007
Twice monogrammed 'FXL', stamped 'LALANNE', dated '2007' and numbered '1/8' (on the center right)
Bronze with green patina
188 by 308 by 79 cm (74 by 121¼ by 31⅛ in.)
71372

Further images

  • (View a larger image of thumbnail 1 ) François-Xavier Lalanne, Poisson Paysage V, 2007
  • (View a larger image of thumbnail 2 ) François-Xavier Lalanne, Poisson Paysage V, 2007
  • (View a larger image of thumbnail 3 ) François-Xavier Lalanne, Poisson Paysage V, 2007
Conceived in 2007. This work is number 1 from an edition of 8 plus 4 EA. François-Xavier Lalanne’s Poisson Paysage V (2007) exemplifies the artist’s distinctive fusion of sculpture and...
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Conceived in 2007. This work is number 1 from an edition of 8 plus 4 EA.


François-Xavier Lalanne’s Poisson Paysage V (2007) exemplifies the artist’s distinctive fusion of sculpture and environment, transforming a monumental fish into a contemplative lens on the natural world. Cast in patinated bronze, the sculpture’s oxidized surface develops a rich teal hue that evokes aquatic depths. The central rectangular aperture carved through the fish’s body invites viewers to peer through the form, framing the surrounding landscape.


This interplay of solid form and negative space is characteristic of Lalanne’s Paysage series, where animal figures are reimagined to engage directly with their settings. Such interventions reflect Lalanne’s broader artistic philosophy—influenced by Surrealism and the traditions of animalier sculpture—which aims to create works that are at once whimsical and functional.


In Poisson Paysage V, Lalanne achieves a harmonious balance between form and void, inviting viewers to engage with the sculpture not just as an object, but as a portal to the environment it inhabits. The work stands as a testament to Lalanne’s innovative approach to sculpture, where art becomes an integral part of the landscape, encouraging a deeper appreciation of both.


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