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  • Claude Lalanne, Choupatte (Très Grand), 2014
    Claude Lalanne, Choupatte (Très Grand), 2014
    Claude Lalanne, Choupatte (Très Grand), 2014
    Claude Lalanne, Choupatte (Très Grand), 2014
    Claude Lalanne, Choupatte (Très Grand), 2014

    Claude Lalanne

    Choupatte (Très Grand), 2014
    Monogrammed 'CL', stamped 'LALANNE', dated '2014' and numbered '8/8'
    Gilt bronze
    119.6 by 136.2 by 135.8 cm (47⅛ by 53⅝ by 53½ in.)
    71360

    Further images

    • (View a larger image of thumbnail 1 ) Claude Lalanne, Choupatte (Très Grand), 2014
    • (View a larger image of thumbnail 2 ) Claude Lalanne, Choupatte (Très Grand), 2014
    • (View a larger image of thumbnail 3 ) Claude Lalanne, Choupatte (Très Grand), 2014
    • (View a larger image of thumbnail 4 ) Claude Lalanne, Choupatte (Très Grand), 2014
    • (View a larger image of thumbnail 5 ) Claude Lalanne, Choupatte (Très Grand), 2014
    Cast in 2014. This work is number 8 from an edition of 8 plus 4 EA. One of the artist’s most iconic creations, Choupatte (2014) is the playful and unexpected...
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    Cast in 2014. This work is number 8 from an edition of 8 plus 4 EA.


    One of the artist’s most iconic creations, Choupatte (2014) is the playful and unexpected juxtaposition
    of a lush cabbage perched atop the legs of bird. A creative fusion of disparate
    elements, the work showcases the artist’s unparalleled ability to infuse
    refined craftsmanship with whimsy. A signature motif for the artist, the
    work’s title translates literally to cabbage-leg (chou-patte). The cabbage leaf was an especially enduring and
    significant component of her oeuvre, as her husband François-Xavier described,
    "The cabbage leaf is to Claude what the acanthus leaf was to Greek
    art."[1] The artist debuted her first Choupattes in 1964 in Les
    Lalanne’s inaugural joint exhibition, Les Zoophites. The exhibition
    title took its name from an archaic scientific categorization for an organism
    that was thought to be an intermediary between the plant and animal world—and
    was emblematic of Les Lalanne’s artistic language which blended flora and
    fauna into magnificent surreal creatures as seen in the present work.




    [1] François-Xavier Lalanne, quoted in D. Marchesseau, The Lalannes, New York, 1998, p. 32




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